Paper Art

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100 x Translucent Tracing Paper Crafts Art Copying Calligraphy Artist Drawing US
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5 Sketch Pad Book 9 x 12 Art Drawing Paper 200 sheets pencil pastel
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Spiral Sketch Pad Book 9 x 12 Art Drawing Paper 30 sheets pencil pastel ink
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A4 Watercolour Paper Art Artist Sketchbook Sketch Pad Journal Painting Supplies
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30 sht TRACING PAPER PAD 9x12 Quality Sketch Book Pencil Drawing Art Overlay C29
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Studio 45 Layout paper A2 frisk graphic art materials 80 leaves
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CLASSIC VINTAGE SAMPLER BLOTTER ART perforated paper sheet psychedelic art
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40 sheets SKETCH PAD 9x12 Sketchbook Premium Quality Drawing Art Paper Book
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NEW Bienfang Graphics 360 Translucent Marker Art Paper 100 Rag 11x14
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Pacon Art1st Drawing Paper 9 x 12 Manila 70 Sheets Quick Shipping
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Pro Art 12 x 50 Poster Easel Paper Roll 0555 12
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Paper Sketch Book Set For Watercolor Drawing Art Sketchbook 30 Sheets A5 Craft
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SMILEY FACE TABS BLOTTER ART perforated sheet paper psychedelic art
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Classic SUNS MOONS BLOTTER ART perforated sheet paper psychedelic art
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Watercolor Paper Pad Art Drawing Spiral Sketchbook Artist Coloring Notebook Kids
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MULTICOLOR SCRATCH ART PAPER
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Handmade FRENCH Art PAPER Vintage Bookbinding Craft Sheet Botanical Gilt NOS
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DEAD and Friends BLOTTER ART perforated sheet paper psychedelic art
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Handmade MARBLED Art PAPER Vintage Bookbinding ITALY Craft Paper Sheet Blue NOS
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Fadeless Metallic Art Paper 24 12x18 sheets 6 Colors Acid Free NEW SEALED
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Transfer Paper Nail Art Stickers Retro Flower Design Holographic Foils
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Bee Paper 55 x 8 110 lb180 gsm Marker Creative Art Journal 50 Sht Dbl 20001
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RICK and M0RTY Fear Loathing BLOTTER ART perforated sheet paper psychedelic art
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35 Sheet Sketchbook Watercolor Paper Art Painting Drawing Sketch Book Pad 9X12
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Spiral Toned Sketch Book Tan 50 Paper Sheets Pad Art Supply Drawing Sketchbook
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32K Hard Back Art Notebook Sketch Book Blank Paper Kraft Sketching Paper Diary
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A5 Sketch book Drawing Pad White Hardcover 146 Sheets Art Paper 83x59 USA
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Rick and Morty Tripping Balls BLOTTER ART perforated sheet paper psychedelic art
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Strathmore Softcover Watercolor Paper Art Journal 8 x 55 24 Sheets 140lb
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12pcs Nail Art Gold Silver metal foil paper 3D Sticker Flake Decal decoration
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Oriental Rice Paper Art Sumi Calligraphy Sketching Watercolor 15 x 50 Ft Roll
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Pacon Art Kraft Paper 48x200 Brown 67024
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Art Street Heavyweight Construction Paper Pad
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Juvale Rainbow Scratch Art Paper Notepad for Kids or Adults 3 Pack
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Spectra Art Tissue Paper
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Art Tissue Paper Assorted Colors 20X30
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Fadeless Art Paper 50 lb 12 x 18 Inches Multiple Colors 60 Sheets
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Colorations Art Paper Roll Refill for Dispenser 12 x 200 New Unused
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PRETTY LADY Paper Ephemera Art Packs 1930s Fashion CutsVtg AdsVictorian Women+
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Corobuff Corrugated Art Paper 12 x 16 Inches Assorted Colors 12 Sheets
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Art Paper Lot
Art Paper Lot $25.00
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NEW SEALED SCRATCH ART PAPER MULTI COLOR
NEW SEALED SCRATCH ART PAPER MULTI COLOR $25.00
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Art1st Fine Art Paper 50 PK White
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Pacon Art Paper Fade Resistant School Doodles 600Lx48H Multi 56805
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Sketch Book Paper Sheets Art Supply Drawing Notebook Leather Brown Journal NEW
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Pro Art Sketch Paper Value Pack
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Art1st Fine Art Paper 12 X 18 90 Lb Recycled Vellum 50 Pack
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Pacon Art Kraft Paper 48x200 Pink 67264
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Pacon Fadeless Art Paper Roll 48 x 50 White
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Ideas for Art History paper - I'm interested in Spanish art, the time period restriction is: ancient-medieval?

I have to write a 2000-word paper on an art-related topic in history, preferably any time before the 1400s. I'm interested in Spain, but I don't know a lot about the early history there, especially in terms of art. Any help is greatly appreciated!

sounds challenging! thereis such a rich spanish history in art and music, thanks in large part to the Moors (muslims) that occupied much of spain for a long time, all through the medieval period.

you may want to look at some of these sites for further ideas:

http://www.jiffyspanish.com/culture/c1.php

http://www.infoplease.com/ce6/ent/A0833941.html

also look to see if your library has the book, "The Art of medieval Spain, A.D. 500-1200" it should help as well.

good luck!!

Visual Art Sells: How to Select Fine Art Media for Reproductions

What makes art sell? Why are some artists making millions of dollars while others struggling to afford paint brushes? While there are many factors involved in the prosperity of one artist to another, by far the most critical is the aesthetic appeal the artwork itself. Simply put, the more visually appealing a particular work of art is, the better it will sell. Whether art is being shown as originals or prints, in a gallery or at an art show, the consumer is primarily influenced by the visual appeal of their prospective purchase and subsequently, its perceived value.

Publishers, printmakers, framers, gallery owners, and of course the artists themselves all (directly or indirectly) profit from art sales. Collectively they share a common goal of selling art; while individually they strive to create a rich environment for art sales to take place, at the greatest possible rate. The artist creates the most visually appealing rendition of their art possible so consumers will be drawn to it, the publisher prints the best possible catalogue to increase exposure and prestige; framer matches the art with a frame that becomes an visual extension of the painting, and the printmaker produces the most vibrant, accurate, and sellable print possible through equipment selection, experience, and talent. While each of these players is involved in the overall sell-ability of art, the purpose of this article is to focus on the printmaker and his/her influence on the visual appeal of a fine art reproduction.

As a printmaker there are an overwhelming amount of variables involved in reproducing a sellable print. Aside from experience, knowledge, and raw talent, which are extremely important, a profitable printmaker learns to intelligently blend controllable variables with uncontrollable variables to reproduce the best possible prints. Controllable variables are aspects of the process that can be objectively defined in absolutes values. For example, a printmaker can determine the absolute highest black density (DMAX) or widest color gamut that a particular substrate or ink is able to achieve, thus creating the most visually appealing print. These data are measurable facts, not a matter of opinion. Uncontrollable variables are also a key contributing factor in creating the visual appeal and sale-ability of an art reproduction. Unlike the controllable variables, these rely primarily on subjective opinions such as media weight, thickness, white-point, texture, and substrate type. While many artists have preconceived preferences, the most successful printmakers are those who influence this process with personal experience and industry knowledge of market trends. Mark Leftoff, President of Gallery Street (www.gallerystreet.com) in Atlanta, GA provides some recommendation on how to add as some objectivity to this process.

“First, select a media type and finish that, based upon the history of successful art pieces, will best suit a particular image. We typically recommend canvas first because with a higher perceived value to the end consumer, it can be sold at a higher price or in greater volume which in turn creates more financial reward for our customers. If a customer prefers to use matte fine art paper, we may even print some small swatches on different media in order to find a fit for their image that we all believe will result in the most success. We encourage our customers to test market these samples by getting some opinions from a handful of their own customers who will be buying the art. We believe that by including more professionals in the process we can minimize risk and more accurately assess the marketability of every print. It is in this manner that we work alongside our customers and together make educated business decisions on how to select the best media for every print job.”

The most successful printmakers typically select a standard “in house” media based upon objective testing and industry experience. Most have chosen a smooth fine art paper, a velvet finish paper, a heavily textured paper, and a canvas or two. A couple of different weights and finish are usually offered as well. This enables them to accurately match the proper media type, texture and weight, with a particular image to maximize sell-ability. It is also important for the artist to offer a couple of different options to their prospective art buyers/gallery owners to determine the most sellable option. When selecting which brand of media to permanently offer to their artists, these decisions are based upon controllable variables or hard facts such as determining which substrate produces the best colors, the best blacks, shows the best detail, and will last the longest.

“By far the most important considerations in using any given fine art media on the market are color and longevity. This means that above all, our media must be measurably superior in achieving the widest color gamut and highest Dmax possible. In this business, color can make you or break you. This guarantees MFA Talon Graphics that the paper we are using produces the best color on our reproductions. Then we must consider how long the color will last without fading or yellowing. MFA Talon Graphics chooses fine art media from a ‘quality in, quality out’ perspective. This is how we continually deliver on our promise to our customers,” says Teddy Blah (Head Printmaker at MFA Talon Graphics of El Segundo, CA).

While many printmakers may wrestle with the decision of which media to stock, or learn through a process of trial and error, the most profitable and experienced printmakers understand one important fact – art sells based upon how it looks. Those who offer a wide range of high-performance substrates and have the industry knowledge and market experience to suggest which substrate is most suitable or sellable with a particular image will be the most profitable. By offering substandard media or selecting the wrong substrate for a particular image, not only are you devaluing your own quality and expertise as a printmaker, but also that of the artists themselves. This will inevitably result in the loss of printing business to a competitor. With the exponential growth of the printmaking industry, every competitive advantage must be pursued to ensure the prosperity of your small business. Therefore, the key to success as a fine art printmaker is to produce the most visually appealing, archival, and sellable prints possible.
About Breathing Color, Inc.

Breathing Color, Inc. is a leading designer and supplier of digital inkjet media and post-print protective coatings. Breathing Color is focused on the art and photographic markets with products that maximize color and longevity. Breathing Color’s customers benefit from the highest quality at competitive prices by buying direct. Breathing Color also supplies custom canon icc profiles for the Epson 9800 printer, Epson 7800 printer

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